It hung at the back of the closet, pushed behind the suits and assortment of dress shirts. There sat a camel coat; so big and soft, with a belted waist, broad and masculine silhouette, and in a shade of brown sugar.
As a child searching around my father's things, as I often did on lonesome afternoons, this was the jackpot. Exactly what I was looking for. Surefire evidence that my father was indeed the man I thought he was. This coat, a relic of a lifestyle well beyond the walls of our home and general suburbia which prescribed him a uniform of nothing more than a white Hanes undershirt and his work pants, was proof that my father was a "man." A man about town. The kind of man who might swoop in and out of a room only to leave the bold presence of power with the added fragrance of something from a blue Ralph Lauren bottle and a taste of an expensive cigar. The type of absent father that might only show up just before I fell asleep to pat me on the head and kiss me goodnight. Yes, that one camel coat said all of that.
It's weight, as heavy as the puppy golden retriever I'd been given as a Christmas gift, spoke such languid power and style. The color—reminiscent of the whiskey he would drink after a long day's work—couldn't have been more GQ. And the fabric, soft as the new carpet my mother had lined the living room parlour with. I was too young and from a generation too detached to know of the gents now synonymous with that same masculine luxury. I had yet to discovered Clint Eastwood, so cool in his cowboy hat, Paul Newman in a simple suit without a tie, Robert Redford in one of his iconic bomber jackets, George Clooney in his camel-hair overcoat, John Kennedy casual in his wayfarers, and on, and on . . .
I'm sure it was these iconic men who inspired my father, albeit subconsciously, to reach for that coat and take if off the hanger in a small suit shop in Georgetown. The same men whose, although he'd never admit it, swagger he admired and conjured. And it is these same men who have inspired us once more this season where, after a long period of dark outerwear, the camel coat has been resurrected again as the go-to for winter apparel. There it is in the darkest of beige at Gucci, the palest of gold at Tommy Hilfiger, collegiate at Dries Van Noten, perfectly at Burberry, and in a marvelous, myriad variety at Prada. Each are impeccably tailored and beautifully cut with a nostalgic feel, making wearing them all the more appealing. You might just feel like George Clooney, the man all women lust over regardless of how old he is, or Paul Newman, arguably the coolest man to walk the earth. But they bring me back to my father's closet on those lonesome afternoons. Welcome home camel coat; oh how I've missed you.
Image Report
[Friday, September 03, 2010
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One of my favorite seasonal haunts is easily a shawl collar sweater. It's one of those cozy pieces that can easily be layered with a blazer or overcoat to create a complete look for winter, or left completely lonesome with a pair of jeans and vintage boots for the perfect fall outfit. And it's a hopeful alternative to those men who want to resemble the great Roy Halston but can't wrap their heads around a turtle neck. Comune has put a bit of a spin on the traditional shawl collar sweater by minimizing it's most notable feature. This shawl collar refuses to wrap the neck too high, making it a great transition piece. With the buttoned closure and grey color, this is a hot commodity to have in your closet for the fall season. Available via Oak.
[Thursday, September 02, 2010
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New York Fashion Week is getting closer by the minute, and one collection that we can't wait to see is that of design duo Steven “Duckie” Cox and partner Daniel Silver, the minds behind Duckie Brown. Luckily, we don't have to. They've given a sneak peak of the Duckie Brown Spring 2010 collection and a look behind their inspiration.
What was their inspiration.? A more appropriate question would be, what wasn't their inspiration? Apparently "everything but the kitchen sink," and one look at the lineup and you'll completely understand what they mean. A maximalist perspective with variations of material, colors and patterns define each piece. They've basically shoved the minimal aesthetic of 09-10 out the door and yelled, "Don't let the doorknob hit you.."
With a usage of lightweight wools and linens, Eileen Gleeson of Design Union in the UK helped to develop insect-patterned prints to compliment brightly colored camos and plaids. It's quite the eclectic mix. “Boys love plaid and we love to give it to them” says Cox.
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What was their inspiration.? A more appropriate question would be, what wasn't their inspiration? Apparently "everything but the kitchen sink," and one look at the lineup and you'll completely understand what they mean. A maximalist perspective with variations of material, colors and patterns define each piece. They've basically shoved the minimal aesthetic of 09-10 out the door and yelled, "Don't let the doorknob hit you.."
With a usage of lightweight wools and linens, Eileen Gleeson of Design Union in the UK helped to develop insect-patterned prints to compliment brightly colored camos and plaids. It's quite the eclectic mix. “Boys love plaid and we love to give it to them” says Cox.
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[Thursday, September 02, 2010
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Self-improvement is at the heart of any physical activity. Whether you’re out for a morning run, playing golf with your boss or tennis with your girlfriend’s father, the ultimate goal is to improve your body, your salary or your seat at Thanksgiving dinner. With this mind toward improvement, why then do most men revert to their sloppiest when they're exercising? As the old saying goes, “If you look good, you play good.” So, ditch the sweats and college t-shirts for something a little more modern, and we’re not talking Under Armour. Today there are a multitude of great sportswear brands that don't have anything to do with Nike, Jordan or Adidas. Today's sportswear is practical yet doesn't substitute style for efficiency. It is 2010 after all; can't we have both?
The Fall 2010 collection from Burberry Sport features simple and smart sneakers perfect for any training, slim cut sweat pants that are one-of-a-kind yet completely comfortable, and field jackets in modern fits. My favorite would have to be the green parka, very reminiscent of Burberry's iconic trench coats. For the price, I’d hesitate to throw them over anything sweaty, but if you've got the dough, Burberry Sport is obviously the way to go.
Contributing Editor, Jamie Williams
Self-improvement is at the heart of any physical activity. Whether you’re out for a morning run, playing golf with your boss or tennis with your girlfriend’s father, the ultimate goal is to improve your body, your salary or your seat at Thanksgiving dinner. With this mind toward improvement, why then do most men revert to their sloppiest when they're exercising? As the old saying goes, “If you look good, you play good.” So, ditch the sweats and college t-shirts for something a little more modern, and we’re not talking Under Armour. Today there are a multitude of great sportswear brands that don't have anything to do with Nike, Jordan or Adidas. Today's sportswear is practical yet doesn't substitute style for efficiency. It is 2010 after all; can't we have both?Look for fabrics that will allow for full range of motion, keep you cool and still retain shape. For tennis, go no further than Fred Perry. The original Air Jordan, Perry is an all American brand if Ive never seen one. They pioneered both the sweatband and the “sport shirt” for tennis, revolutionizing the game–or the way men dress while on the court. And while the mods adopted it, the iconic Laurel logo can still be seen on the greens of Wimbledon. If you don’t want to go the traditional all-white route, go for a bold blue or red–but keep the white shorts. Even better, however, would be to venture out more for a fresh and modern perspective by keeping an eye out for their new collarless knit shirts (above) from the fall 2010 collection. Off the court, throw on one of their equally iconic track jackets.
The new RLX line from Ralph Lauren has everything you need, from light pullovers to down vests and moisture-wicking tees. In slim cuts and modern fabrics, this may be the grown man’s perfect answer to the Swoosh. And the line can't get more accessible with Macy's as an exclusive retailer. It get's no better for sportswear, however, than Burberry. It's rare that a brand is able to bring it's designer aesthetic of luxury and urban style into a new casual market simultaneously, but that's precisely what Christopher Bailey has done. Their Burberry Sport line (pictured above and below) is easily a merger between their approach towards style and a more casual and athletic lifestyle.
Contributing Editor, Jamie Williams
[Wednesday, September 01, 2010
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Details has easily become a cultural guide for me that, every month, offers a unique yet entirely American perspective of menswear and style in a way that can even be editorially appreciated internationally. It is very much the goal for which District Cut thrives on although, for some reason unaware by me, it rarely gets due praise. While GQ continues to be the alpha and omega of men's fashion magazines, Details is like it's rebellious twin—immensely pleasurable and entertaining but with an isolated outlook. Details is a publication that I wholly support.
In their September 2010 issue, like all fashion publications, they offered a preview of what to expect for fall. Nostalgia showed itself as a force to be reckoned with in their Love Story inspired editorial shot by Dan Marensen. Styled by Andreas Kokkino, the beautifully romantic photos feature shearling coats, chunky knit cardigans and all the best clothes for fall weekends.
In their September 2010 issue, like all fashion publications, they offered a preview of what to expect for fall. Nostalgia showed itself as a force to be reckoned with in their Love Story inspired editorial shot by Dan Marensen. Styled by Andreas Kokkino, the beautifully romantic photos feature shearling coats, chunky knit cardigans and all the best clothes for fall weekends.

(Left) On him: Coat and shirt by Prada. Sweater by Tom Ford. Pants by Tommy Hilfiger. Boots by Paul Smith. On her: Sweater and shoes by See by Chloe. Blouse by Louis Vuitton. Jeans by Levi's. Belt by Dolce & Gabbana. Ring by Bulgari. Watch by Van Cleef & Arpels; (Right) Blazer by Tommy Hilfiger. Turtleneck by Gant.

Blazer by Gucci. Shirt by Brooks Brothers. Tie by Isaia. Pocket square by Louis Vuitton. Pants by Dunhill. Shoes by Salvatore Ferragamo. Socks by Paul Smith.Belt, stylist's own.

(Left) On him: Jacket by Hermès. Pants by Levi's. Boots by Paul Smith. Sunglasses by Ray-Ban. On her: Coat by Zac Posen for Pologeorgis. Dress by Louis Vuitton. Boots by See by Chloe. Socks by Falke; (Right) Jacket by Hermès. Shirt by Isaia. Sunglasses by Ray-Ban.

On him: Blazer and vest by D&G. Shirt and pocket square by Dunhill. Pants by Prada. Shoes by Cole Haan. Socks by Paul Smith. On her: Men's sweater by Salvatore Ferragamo. Earrings and bracelet by Tiffany & Co. Necklace and ring by Bulgari.

(Left) Jacket by Burberry Prorsum. Shirt by DNKY. Tie by Isaia. Pants by Hermès. Belt by Trafalgar; (Right) Jacket by Perry Ellis. Jeans by Tom Ford. Shoes by Salvatore Ferragamo.

(Left) Coat by MaxMara; (Right) Jacket by Gap. Turtleneck by Brioni. Jeans by Spurr. Scarf by Brooks Brothers. Belt by Billy Kirk. Sunglasses by Ray-Ban. Boots by Paul Smith.

(Left) Blazer by Marc Jacobs. Shirt by Perry Ellis. Sweater by Prada. Pocket square by Louis Vuitton. Jeans by Levi's. Boots by Paul Smith. Watch by Omega. Belt, stylist's own; (Right) Jacket by Perry Ellis. Turtleneck sweater by Gant. Shirt by Dsquared. Jeans by Tom Ford. Belt by Ralph Lauren. Watch by Omega.

(Left) Jacket by Woolrich, John Rich & Brothers. Shirt by A.P.C. Scarf by Ralph Lauren Purple Label. Pants by Levi's. Boots by Paul Smith. Belt, stylist's own; (Right) Coat by MaxMara. Blouse by Chloe.
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[Tuesday, August 31, 2010
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The Emmy Awards may not be those belonging to the Academy, or even the Golden Globes, but some of the small screen's leading gents dared to thrown on their best knickers anyway. Too often do award show red carpets appear synonymous, at least on the menswear spectrum. There's Brad Pitt in a black tux. Oh, there's Ben Affleck in a black tux. Wait, is that George Clooney in . . . oh, just another black tux. See my point. This years Emmy's were a bit different. Although most of the men kept to the mold by going black, there were distinct cuts and silhouettes that differentiated one from another. This years big style contenders . . .
True Blood's Alexander Skarsgård (upper left) looked perfectly fit for the red carpet by going with wider, more substantial lapels and an appropriate bow tie resulting in an Old Hollywood look. Best Supporting Actor winner Aaron Paul, meanwhile, wins my award for best proportions with a perfect-fitting Burberry tux and handsome bow tie. Matthew Fox (lower right) went against the grain with a straight-tie and his signature shaved head perfectly complimenting his sleek Calvin Klein suit, nailing the look entirely. Then there was Jon Krasinski, with his new wife Emily Blunt, who was the foreseeable best dressed in a shawl collar Prada tuxedo—quite unpredictable but a smashing success.
True Blood's Alexander Skarsgård (upper left) looked perfectly fit for the red carpet by going with wider, more substantial lapels and an appropriate bow tie resulting in an Old Hollywood look. Best Supporting Actor winner Aaron Paul, meanwhile, wins my award for best proportions with a perfect-fitting Burberry tux and handsome bow tie. Matthew Fox (lower right) went against the grain with a straight-tie and his signature shaved head perfectly complimenting his sleek Calvin Klein suit, nailing the look entirely. Then there was Jon Krasinski, with his new wife Emily Blunt, who was the foreseeable best dressed in a shawl collar Prada tuxedo—quite unpredictable but a smashing success.










